All Juan Bautista Martinez del Mazo 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
77932 Empress Dona Margarita de Austria in Mourning Dress  Empress Dona Margarita de Austria in Mourning Dress   Date 1666(1666) Medium Oil on canvas Dimensions 209 ?? 147 cm (82.3 ?? 57.9 in) cyf
70824 konstnarens familj  konstnarens familj   olja pa duk 174.5x148cm forvarvad i italien 1800 se
76573 Retrato de la infanta Margarita  Retrato de la infanta Margarita   ca. 1659(1659) Oil on canvas 212 ?? 147 cm (83.5 ?? 57.9 in) cjr
78441 Retrato de la infanta Margarita  Retrato de la infanta Margarita   ca. 1659(1659) Medium Oil on canvas Dimensions 212 x 147 cm (83.5 x 57.9 in) cyf
2889 The Artist's Family  The Artist's Family   Art History Museum, Vienna
95736 The Artists Family  The Artists Family   between 1659(1659) and 1660(1660) Medium oil on canvas cyf
78141 The Empress Dona Margarita de Austria in Mourning Dress  The Empress Dona Margarita de Austria in Mourning Dress   1666(1666) Medium Oil on canvas Dimensions 209 x 147 cm (82.3 x 57.9 in) cyf
Juan Bautista Martinez del Mazo
1612-1667 Spanish Juan Bautista Martinez del Mazo Gallery Mazo??s works owe credit above all to Vel??zquez, whose style he was long compelled to emulate in court portraits. However, Mazo shows in his paintings a personality of his own. His portraits exhibit startling naturalism and marvelously executed. Mazo was specially skillful in painting small figures, a cardinal element in both his hunting scenes and the landscapes he painted as in his most celebrate work View of Saragossa. Mazo??s palette was rather like that of Vel??zquez, except for a penchant often shown for stressing blue or bluish tints. .The departure from his master style was in his way of shaping people and things by highlights which flash the pictorial image towards the surface of the painting, even from the background.. As a counterbalance, an explicit, even emphatic, perspective design marks out the spatial confines of the composition, making it appear squarish.. A further departure from Velazquez is his luxurious depiction of detail or incident, which he achieved with brilliant, depthless strokes, whether on the figure of a sitter, a curtain on a wall, a floor, the surface of a river, or plain grounds. .These stylistic traits reveal Mazo??s own personality as an artist. .For centuries, Mazo??s paintings were attributed to Vel??zquez, but modern art criticism, techniques and knowledge have been able to separate their works.



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